Question: Which Of These Beat Making Programs Will Help You Create Your Best Music?

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Techno DJ Bios: Richie Hawtin

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Various artists impact the techno scene in many different ways whether that would be trying to lead the way or to make their music something separate from themselves. Richie Hawtin is someone who has imacted (and some would say dominated) the international techno music scene. The Canadian artist uses the alias of Plastikman when releasing his music onto the Detroit techno scene. He has also utilised over five different names when releasing tracks – which could mean that he had the opportunity to experiment without having any fears about what it could do to his reputation if the music wasn’t received too well.

 Some of the reasons why Hawtin finds the world of techno music and electro so appealing is because of how he was brought up in an environment which was rich in the roots of Detroit techno – Ontario. Richies father having a passion for music with an electronic genre, this was also one of the defining things which allowed Hawtin to gain a love of dance & experimental electronic music as he matured throughout his adolescence.

Hawtin has always been somebody who has tried to make their own opportunities instead of having to explore the record labels of others. He created Plus-8 (a record label), in partnership with one of his colleagues whilst Minus Records was a venture he initiated for himself. This didn’t mean that he wanted to be completely independent however – like so many techno artists, he found himself drawn to Europe because of how so many American DJs had been drawn to the heavily-advanced German scene of techno music, and because of how he believed that it would give him a quality of life that he might not have been able to have in other places.

In an interview, he talked about this decision further, saying: Berlin is so liberal in so many different ways; there’s an amazing club scene, there’s a great development software tech scene, there are so many resources here.”

Hawtin’s significant releases were under the names of Plastikman, Concept 1 and F.U.S.E. As well as having a direct involvement with the music production elements of the dance industry, he has also commented and has experienced interviews of the direction of this genre for the future. The end of the 2000s saw him shake off some fears that dance music was heading in a direction which would see an untimely demise in favour of other sounds, but he counter-acted this by complementing other artists on raising the quality of their records substantially – in turn boosting the amount of people who felt drawn to listen to the tracks which were available to them.

 He’s got an eccentric and minimalist style which audiences love, his contribution to minimal techno cannot be denied – and he spans through a number of different countries for long weekends performing to the masses, where he is a widely-anticipated act. Without question, Hawtin (or Plastikman depending on what he is performing!) is an act that is heavily in demand – and he is loving the chance to carry on his passion through creating exciting mixes in numerous locations.

Recent Discography:

DE9 Transitions (DVD + CD)           M_nus     2005
DE9  Transitions (CD)           NovaMute     2006
The Tunnel / Twin Cities (12″)           M_nus     2005
DE9  Combined (2xCD, Mixed, Comp)           Third Ear (2), M_nus     2006
DE9  Lite – Electronic Adventures (CD, Mixed, Comp)           Mixmag     2006
Slices – Pioneers Of Electronic Music – Vol. I – A Documentary Film About Richie Hawtin (DVD-V, PAL, DVD) Electronic Beats 2006
KONTAKT RTW (CD, Mixed, Comp, Promo)           M_nus     2006
RA.100 (File, MP3, Mixed, Pod)           Resident Advisor     2008
Sounds From Can Elles (File, MP3, Comp, 320)           M_nus     2008
Making Contakt (DVD-V + CD, Comp)           M_nus     2010

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Music Producing Schools

US music market shares, according to Nielsen S...

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If you believe that you have what it takes to identify the next singing sensation and turn out to be a record producer then you might want to give music producing schools a thought as means of developing your training. The music industry can be a good investment but before you do that you may want to invest in your training first as a future music producer. But when considering your training in music production, here are some things you ought to take into account.

First, specific schools for recording and music production can be be extremely costly. Education costs are high in general these days, but when you’re talking about a specialized field like producing or recording, there is a continuous need for schools to keep up with the latest technology and equipment. In addition to advanced equipment, there are also costs for building maintenance along with the payroll for the employees including the teachers. Certainly, someone has to pay the bills.

Second, some profession may be worth the costly tuition, but in terms of music producing schools the expensive tuition is really not cost-efficient. In less complicated terms, you risk spending thousands for tuition and after you graduate you still end up signing up for internship or apprenticeship courses for more experience. The reason being academic programs lean more toward concept than application by nature; even with hands-on simulation, there are issues you can’t anticipate. Recording and producing are abilities that are mastered by performing, not by books. In spite of paying out for costly tuition fees, after you finish the course you will still probably end up being an intern or an apprentice with little or no salary and it may take a few more years before you can start paying for your student loans.

Third, most of the big names in the music business do not keep a degree or a diploma. Rather than talk about a college degree, the big names in this business will share how substitute programs like the mentor-apprentice program assisted them. Even if they have a diploma, it usually takes a back seat to the one-on-one experience.

Overall making the wrong decision doesn’t only cost a lot but it can also be waste of time and work as well. Why invest all that money for a degree that most business pros consider useless, anyhow – only to have to leap through the exact same hoops as though you had never gone to school? If mentoring is a key to success in this field, why not find a way to use that to your advantage?

Good thing is, some academic institutions have finally made the conclusion and is now developing the mentor-apprentice set up in their curriculum. One music producing school that is making use of this technique is Recording Connection. Instead of raising their tuition fees in order to cover the expense for devices, they pay industry professionals who are currently working in the industry to act as teachers to their students while using their guided course load in order to keep the course in the right tract. They have come to a conclusion that in terms of instruction in music producing schools, nothing is more efficient that hands on training.

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Making Hip Hop Beats, Are There Rules?

How to Make Rap & Hip Hop Beats : Tips on Making Hip Hop Beats

There are no rules when it comes to creating beats for rap and hip hop music. Create rap beats with the best of them with tips and information from an experienced and accredited rap producer in this free video. Expert: Frederick Burchell Bio: Frederi…

One question that I see all over the place is related to the rules of making hip hop beats. In this video, the speaker talks about the fact that in his opinion there are no rules. He says music comes from the heart. In many ways he is correct, but I wonder if the combination of some rules along with that will improve ones musicianship.
What do you think??? Please leave a comment!

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