Music as therapy has a significant and positive influence on children with autism.   It gives them an opportunity to experience non-threatening outside stimulation.  Music therapy for children with autism is tailored to the individual – what works with one child may not work with another and therapists understand this well. 

Music therapy sessions improve socio-emotional development.  When children with autism begin to develop relationships, they can ignore or even reject social contact with others.  The therapy allows them to end social withdrawal because the instrument is presented as a fascinating object instead of a threatening one.  It offers an initial point of contact between the child and the therapist which does not exist with other individuals in the child’s life.

Parents understand the unique difficulties of educating children with autism.  Music therapy opens unique doors of communication between the child and his or her world.  The session will stimulate the mental process of comprehending, conceptualizing and symbolizing.  The therapist can use an instrument to create a communicative relationship between the patient’s behavior and a specific sound.  Sounds make it much easier for children with autism to recognize correct and incorrect behaviors, as sounds are simpler to process than verbal exchanges. 

Wind instruments in particular help children with autism communicate.  These instruments make the child aware of the way his or her jaw, teeth, lips and tongue function.  Playing an instrument mirrors many of the functions required for speech vocalizations.

Music therapy sessions also help children with autism to feel a special kind of emotional fulfillment.  Many of these children lack the ability to respond to stimuli that would otherwise allow them to enjoy emotional changes; however, they respond very well to musical stimuli.  Many music therapists believe this is the case because music provides the child with an emotional environment that is free from fear.  Children with autism are given a safe place to express themselves and learn more about who they actually are.  Children are encouraged to make noise, bang on instruments, shout and jump – anything that lets them freely express themselves and experience satisfaction.

Equally important, music therapy for children with autism teaches social skills.  It improves language comprehension, encourages the desire to communicate and makes creative self-expression possible while it reduces non-communicative speech.  Music therapy has even been shown to reduce echolalia, or uncontrolled instant repetition of words spoken by another person.

Autism is generally discovered in children three years of age or younger, which makes music therapy the perfect treatment.  Children with autism generally have a high aptitude for music and are very talented.  If you have a loved one with autism, consider the benefits of music therapy.  Take advantage of this truly beneficial way to communicate with your loved one.  

 One major reason why Hawtin finds the world of techno music and electro so appealing is because of how he was brought up in an environment which was rich in the roots of Detroit techno – Ontario. Richies father having a passion for music with an electronic genre, this was also one of the defining things which allowed Hawtin to gain a passion for this type of music as he matured throughout his youth.

Hawtin has always been somebody who has tried to make their own opportunities instead of having to explore the record labels of others. He created Plus-8 (a record label), in partnership with one of his colleagues whilst Minus Records was a venture he initiated for himself. This didn’t mean that he wanted to be completely independent however – like so many techno artists, he found himself drawn to Europe because of how so many American DJs had been drawn to the heavily-advanced German scene of techno music, and because of how he believed that it would give him a quality of life that he might not have been able to have in other places.

In an interview, he talked about this decision further, saying: Berlin is so liberal in so many different ways; there’s an amazing club scene, there’s a great development software tech scene, there are so many resources here.”

Hawtin’s significant releases were under the names of Plastikman, Concept 1 and F.U.S.E. As well as having a direct involvement with the music production elements of the dance industry, he has also commented and has experienced interviews of the direction of this genre for the future. The end of the 2000s saw him shake off some fears that dance music was heading in a direction which would see an untimely demise in favour of other sounds, but he counter-acted this by complementing other artists on raising the quality of their records substantially – in turn boosting the amount of people who felt drawn to listen to the tracks which were available to them.

 He’s got an eccentric and minimalist style which audiences love, his contribution to minimal techno cannot be denied – and he spans through a number of different countries for long weekends performing to the masses, where he is a widely-anticipated act. Without question, Hawtin (or Plastikman depending on what he is performing!) is an act that is heavily in demand – and he is loving the chance to carry on his passion through creating exciting mixes in numerous locations.

Recent Discography:

DE9 Transitions (DVD + CD)           M_nus     2005
DE9  Transitions (CD)           NovaMute     2006
The Tunnel / Twin Cities (12″)           M_nus     2005
DE9  Combined (2xCD, Mixed, Comp)           Third Ear (2), M_nus     2006
DE9  Lite – Electronic Adventures (CD, Mixed, Comp)           Mixmag     2006
Slices – Pioneers Of Electronic Music – Vol. I – A Documentary Film About Richie Hawtin (DVD-V, PAL, DVD) Electronic Beats 2006
KONTAKT RTW (CD, Mixed, Comp, Promo)           M_nus     2006
RA.100 (File, MP3, Mixed, Pod)           Resident Advisor     2008
Sounds From Can Elles (File, MP3, Comp, 320)           M_nus     2008
Making Contakt (DVD-V + CD, Comp)           M_nus     2010

 Some of the reasons why Hawtin finds the world of techno music and electro so appealing is because of how he was brought up in an environment which was rich in the roots of Detroit techno – Ontario. With his father had a strong interest in music and especially elctronica, this was also one of the defining things which allowed Hawtin to gain a love of dance & experimental electronic music as he matured throughout his adolescence.

Hawtin has always been somebody who has tried to make their own opportunities instead of having to explore the record labels of others. He created Plus-8 (a record label), in partnership with one of his colleagues whilst Minus Records was a venture he initiated for himself. This didn’t mean that he wanted to be completely independent however – like so many techno artists, he found himself drawn to Europe because of how so many American DJs had been drawn to the heavily-advanced German scene of techno music, and because of how he believed that it would give him a quality of life that he might not have been able to have in other places.

In an interview, he talked about this decision further, saying: Berlin is so liberal in so many different ways; there’s an amazing club scene, there’s a great development software tech scene, there are so many resources here.”

Hawtin’s significant releases were under the names of Plastikman, Concept 1 and F.U.S.E. As well as having a direct involvement with the music production elements of the dance industry, he has also commented and has experienced interviews of the direction of this genre for the future. The end of the 2000s saw him shake off some fears that dance music was heading in a direction which would see an untimely demise in favour of other sounds, but he counter-acted this by complementing other artists on raising the quality of their records substantially – in turn boosting the amount of people who felt drawn to listen to the tracks which were available to them.

 He’s got an eccentric and minimalist style which audiences love, his contribution to minimal techno cannot be denied – and he spans through a number of different countries for long weekends performing to the masses, where he is a widely-anticipated act. Without question, Hawtin (or Plastikman depending on what he is performing!) is an act that is heavily in demand – and he is loving the chance to carry on his passion through creating exciting mixes in numerous locations.

Recent Discography:

DE9 Transitions (DVD + CD)           M_nus     2005
DE9  Transitions (CD)           NovaMute     2006
The Tunnel / Twin Cities (12″)           M_nus     2005
DE9  Combined (2xCD, Mixed, Comp)           Third Ear (2), M_nus     2006
DE9  Lite – Electronic Adventures (CD, Mixed, Comp)           Mixmag     2006
Slices – Pioneers Of Electronic Music – Vol. I – A Documentary Film About Richie Hawtin (DVD-V, PAL, DVD) Electronic Beats 2006
KONTAKT RTW (CD, Mixed, Comp, Promo)           M_nus     2006
RA.100 (File, MP3, Mixed, Pod)           Resident Advisor     2008
Sounds From Can Elles (File, MP3, Comp, 320)           M_nus     2008
Making Contakt (DVD-V + CD, Comp)           M_nus     2010

First, specialized schools for recording and music production can be very costly. Presently, education is indeed expensive however when talking about education that focuses on a particular area then it can get even more expensive due to the fact that these institutions need to continuously upgrade their devices in order to keep up with the changes in the business. Add to that building upkeep and paying teachers, and you’ve got quite a pricey tuition. Certainly, someone has to pay the bills.

Second, some career may be worth the costly tuition, but in terms of music producing schools the pricey tuition is really not cost-efficient. This means, basically, you could spend literally tens of thousands of dollars in college tuition, only to find out at the end that you still need major on-the-job training. The reason being academic programs lean more toward concept than practice by nature; even with hands-on simulation, there are issues you cannot anticipate. Recording and producing are abilities that are learned by doing, not by books. In spite of paying out for expensive tuition fees, after you finish the course you will still possibly end up being an intern or an apprentice with little or no salary and it may take a few more years before you can start paying for your student loans.

Third – most music industry professionals, when asked to reveal their greatest influences toward their career, will not cite their college training. Rather, usually, the pros will talk about some form of coaching, someone who gave them a chance or showed them the basics. Even if they have a degree, it generally takes a back seat to the one-on-one encounter.

All these points taken together make an essential point: making the wrong choice as far as which school to attend can be both pricey and ineffective. Why spend all that money for a degree that most industry pros consider useless, anyhow – only to have to jump through the exact same hoops as though you had never gone to school? If mentoring is a key to success in this field, why not find a way to use that to your benefit?

Good thing is, some academic institutions have finally made the conclusion and is now integrating the mentor-apprentice set up in their curriculum. One music producing school that is utilizing this method is Recording Connection. Rather than waste cash on disposable equipment (passing the cost to students), rather they pair students with working professionals in real-life studios (with real working equipment), to be mentored with a course load as a guide. They have come to a realization that in terms of instruction in music producing schools, nothing is more efficient that hands on training.

Music as therapy has a significant and positive influence on children with autism.   It gives them a chance to experience non-threatening outside stimulation.  Music therapy for children with autism is tailored to the individual – what works with one child may not work with another and therapists understand this well. 

Music therapy sessions improve socio-emotional development.  When children with autism begin to develop relationships, they can ignore or even reject social contact with others.  The therapy allows them to end social withdrawal because the instrument is presented as a intriguing object instead of a threatening one.  It offers an initial point of contact between the child and the therapist which does not exist with other individuals in the child’s life.

Parents understand the unique difficulties of educating children with autism.  Music therapy opens special doors of communication between the child and his or her world.  The session will stimulate the mental process of comprehending, conceptualizing and symbolizing.  The therapist can use an instrument to build a communicative relationship between the patient’s behavior and a specific sound.  Sounds make it much easier for children with autism to recognize correct and incorrect behaviors, as sounds are simpler to process than verbal exchanges. 

Wind instruments in particular help children with autism communicate.  These instruments make the child aware of the way his or her jaw, teeth, lips and tongue function.  Playing an instrument mirrors many of the functions required for speech vocalizations.

Music therapy sessions also allow children with autism to feel a special kind of emotional fulfillment.  Many of these children lack the ability to respond to stimuli that would otherwise allow them to enjoy emotional changes; however, they respond very well to musical stimuli.  Many music therapists believe this is the case because music provides the child with an emotional environment that is free from fear.  Children with autism are given a safe place to express themselves and learn more about who they actually are.  Children are encouraged to make noise, bang on instruments, shout and jump – anything that lets them freely express themselves and feel satisfaction.

Equally important, music therapy for children with autism teaches social skills.  It improves language comprehension, encourages the desire to communicate and makes creative self-expression possible while it reduces non-communicative speech.  Music therapy has even been shown to decrease echolalia, or uncontrolled instant repetition of words spoken by another person.

Autism is generally discovered in children three years of age or younger, which makes music therapy the perfect treatment.  Children with autism generally have a high aptitude for music and are very talented.  If you have a loved one with autism, consider the benefits of music therapy.  Take advantage of this truly helpful way to communicate with your loved one.  

First – schools that teach recording and music production often cost a great deal of money. At present, education is indeed costly however when talking about education that focuses on a particular area then it can get even more pricey due to the fact that these institutions need to continuously upgrade their devices in order to keep up with the changes in the industry. Add to that building servicing and paying instructors, and you’ve got quite a high-priced tuition. Somebody’s got to pay for all that things.

Second – while other areas of study might be worth the higher price of tuition, music producing schools generally might be less cost-effective. In simpler terms, you risk spending thousands for tuition and after you graduate you still end up signing up for internship or apprenticeship courses for more experience. This is due to the intensive discussions on theories and concepts and less time for hands-on training. Books are poor references for the skills you will require in recording and producing. After investing all that money on school, you still might need to intern somewhere for little or no income before you even start making enough to pay back your loans.

Third, most of the big names in the music business do not hold a degree or a diploma. Rather than talk about a college degree, the big names in this industry will share how substitute programs like the mentor-apprentice program assisted them. Even if they have a diploma, it usually takes a back seat to the one-on-one encounter.

Overall making the inappropriate decision does not only cost a lot but it can also be waste of time and work too. Why waste money and time on anything that is not even acknowledged by the industry, which can often take you back to square one? If a coach can help you succeed in the business then there is nothing wrong with utilizing this option at its fullest.

Fortunately, some schools are obtaining the point about this, and are now utilizing the mentor-apprentice technique. One music producing school that is making use of this method is Recording Connection. Rather than spend cash on disposable equipment (passing the cost to students), rather they pair students with working professionals in real-life studios (with real working equipment), to be mentored with a curriculum as a guide. They have come to a realization that in terms of training in music producing schools, nothing is more effective that hands on training.

 Some of the reasons why Hawtin finds the world of techno music and electro so appealing is because of how he was brought up in an environment which was rich in the roots of Detroit techno – Ontario. Richies father having a passion for music with an electronic genre, this was also one of the defining things which allowed Hawtin to gain a love of dance & experimental electronic music as he matured throughout his adolescence.

Hawtin has always been somebody who has tried to make their own opportunities instead of having to explore the record labels of others. He created Plus-8 (a record label), in partnership with one of his colleagues whilst Minus Records was a venture he initiated for himself. This didn’t mean that he wanted to be completely independent however – like so many techno artists, he found himself drawn to Europe because of how so many American DJs had been drawn to the heavily-advanced German scene of techno music, and because of how he believed that it would give him a quality of life that he might not have been able to have in other places.

In an interview, he talked about this decision further, saying: Berlin is so liberal in so many different ways; there’s an amazing club scene, there’s a great development software tech scene, there are so many resources here.”

Hawtin’s significant releases were under the names of Plastikman, Concept 1 and F.U.S.E. As well as having a direct involvement with the music production elements of the dance industry, he has also commented and has experienced interviews of the direction of this genre for the future. The end of the 2000s saw him shake off some fears that dance music was heading in a direction which would see an untimely demise in favour of other sounds, but he counter-acted this by complementing other artists on raising the quality of their records substantially – in turn boosting the amount of people who felt drawn to listen to the tracks which were available to them.

 He’s got an eccentric and minimalist style which audiences love, his contribution to minimal techno cannot be denied – and he spans through a number of different countries for long weekends performing to the masses, where he is a widely-anticipated act. Without question, Hawtin (or Plastikman depending on what he is performing!) is an act that is heavily in demand – and he is loving the chance to carry on his passion through creating exciting mixes in numerous locations.

Recent Discography:

DE9 Transitions (DVD + CD)           M_nus     2005
DE9  Transitions (CD)           NovaMute     2006
The Tunnel / Twin Cities (12″)           M_nus     2005
DE9  Combined (2xCD, Mixed, Comp)           Third Ear (2), M_nus     2006
DE9  Lite – Electronic Adventures (CD, Mixed, Comp)           Mixmag     2006
Slices – Pioneers Of Electronic Music – Vol. I – A Documentary Film About Richie Hawtin (DVD-V, PAL, DVD) Electronic Beats 2006
KONTAKT RTW (CD, Mixed, Comp, Promo)           M_nus     2006
RA.100 (File, MP3, Mixed, Pod)           Resident Advisor     2008
Sounds From Can Elles (File, MP3, Comp, 320)           M_nus     2008
Making Contakt (DVD-V + CD, Comp)           M_nus     2010

Image via Wikipedia

If you believe that you have what it takes to identify the next singing sensation and turn out to be a record producer then you might want to give music producing schools a thought as means of developing your training. The music industry can be a good investment but before you do that you may want to invest in your training first as a future music producer. But when considering your training in music production, here are some things you ought to take into account.

First, specific schools for recording and music production can be be extremely costly. Education costs are high in general these days, but when you’re talking about a specialized field like producing or recording, there is a continuous need for schools to keep up with the latest technology and equipment. In addition to advanced equipment, there are also costs for building maintenance along with the payroll for the employees including the teachers. Certainly, someone has to pay the bills.

Second, some profession may be worth the costly tuition, but in terms of music producing schools the expensive tuition is really not cost-efficient. In less complicated terms, you risk spending thousands for tuition and after you graduate you still end up signing up for internship or apprenticeship courses for more experience. The reason being academic programs lean more toward concept than application by nature; even with hands-on simulation, there are issues you can’t anticipate. Recording and producing are abilities that are mastered by performing, not by books. In spite of paying out for costly tuition fees, after you finish the course you will still probably end up being an intern or an apprentice with little or no salary and it may take a few more years before you can start paying for your student loans.

Third, most of the big names in the music business do not keep a degree or a diploma. Rather than talk about a college degree, the big names in this business will share how substitute programs like the mentor-apprentice program assisted them. Even if they have a diploma, it usually takes a back seat to the one-on-one experience.

Overall making the wrong decision doesn’t only cost a lot but it can also be waste of time and work as well. Why invest all that money for a degree that most business pros consider useless, anyhow – only to have to leap through the exact same hoops as though you had never gone to school? If mentoring is a key to success in this field, why not find a way to use that to your advantage?

Good thing is, some academic institutions have finally made the conclusion and is now developing the mentor-apprentice set up in their curriculum. One music producing school that is making use of this technique is Recording Connection. Instead of raising their tuition fees in order to cover the expense for devices, they pay industry professionals who are currently working in the industry to act as teachers to their students while using their guided course load in order to keep the course in the right tract. They have come to a conclusion that in terms of instruction in music producing schools, nothing is more efficient that hands on training.

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There are no rules when it comes to creating beats for rap and hip hop music. Create rap beats with the best of them with tips and information from an experienced and accredited rap producer in this free video. Expert: Frederick Burchell Bio: Frederi…

One question that I see all over the place is related to the rules of making hip hop beats. In this video, the speaker talks about the fact that in his opinion there are no rules. He says music comes from the heart. In many ways he is correct, but I wonder if the combination of some rules along with that will improve ones musicianship.
What do you think??? Please leave a comment!

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Image via Wikipedia

I know that this is supposed to be a site on how to make your own beats, but when I was looking for some new content, I came across this article which I think and hope you will find intersting.. it is about autism and music. Please feel free to comment below…

Music therapy is a beneficial way for children that have developmental disabilities to communicate.  The healing power of music therapy activities enhances good behavior changes.  Each music therapy session is carefully planned, carried out and evaluated on a patient by patient basis.  The sessions can include listening to music, creating music, playing an instrument or just moving to the beat.

Music as therapy has a significant and positive influence on children with autism.   It gives them a chance to experience non-threatening outside stimulation.  Music therapy for children with autism is tailored to the individual – what works with one child may not work with another and therapists understand this well. 

Music therapy sessions improve socio-emotional development.  When children with autism begin to develop relationships, they can ignore or even reject social contact with others.  The therapy helps them to end social withdrawal because the instrument is presented as a intriguing object instead of a threatening one.  It offers an initial point of contact between the child and the therapist which does not exist with other individuals in the child’s life.

Parents understand the unique difficulties of educating children with autism.  Music therapy opens unique doors of communication between the child and his or her world.  The session will stimulate the mental process of comprehending, conceptualizing and symbolizing.  The therapist can use an instrument to build a communicative relationship between the patient’s behavior and a specific sound.  Sounds make it much easier for children with autism to recognize correct and incorrect behaviors, as sounds are simpler to process than verbal exchanges. 

Wind instruments in particular help children with autism communicate.  These instruments make the child aware of the way his or her jaw, teeth, lips and tongue function.  Playing an instrument mirrors many of the functions required for speech vocalizations.

Music therapy sessions also allow children with autism to feel a special kind of emotional fulfillment.  Many of these children lack the ability to respond to stimuli that would otherwise allow them to enjoy emotional changes; however, they respond very well to musical stimuli.  Many music therapists believe this is the case because music provides the child with an emotional environment that is free from fear.  Children with autism are given a safe place to express themselves and learn more about who they actually are.  Children are encouraged to make noise, bang on instruments, shout and jump – anything that lets them freely express themselves and experience satisfaction.

Equally important, music therapy for children with autism teaches social skills.  It improves language comprehension, encourages the desire to communicate and makes creative self-expression possible while it reduces non-communicative speech.  Music therapy has even been shown to decrease echolalia, or uncontrolled instant repetition of words spoken by another person.

Autism is generally discovered in children three years of age or younger, which makes music therapy the perfect treatment.  Children with autism usually have a high aptitude for music and are very talented.  If you have a loved one with autism, consider the benefits of music therapy.  Take advantage of this truly helpful way to communicate with your loved one.  

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